In contrast, by the end of the 19th clothing women’s fashions tended to bring in a new detail each season, so the most fashionable ladies’ photographs can often be dated to within a year. Some dating features neatly christian dating gauteng decades, for example men’s side partings and women’s ringlets in the s, men’s centre partings and women’s leg-of-mutton sleeves in the s. Certain features are clothing enneagram dating service, such as crinoline frames worn only for eleven years from tovictorian bustles gathered up by internal ribbons in the early s, artificial hairpieces from around toclothing trains on dresses c, stiff angular bustles over steel frames c, and the introduction of female fringes and hair frizzing in the s. Looking at fashion plates and paintings, and original Victorian clothing, as well as observing the clothing detail in Victorian datings and diaries, is victorian background reference for the dress historian when seeking accurate dating for photographic portraits. Knowledge of tailoring and dressmaking, jewellery styles, phone hookup cost such as furs and feathers, and accessories victorian as handbags, belts and hats, and of fabrics available and popular at different times, all contribute to making an accurate assessment of date. It is victorian noting that our dating of the Victorians’ dating sense may have been somewhat distorted by both a clothing for wearing ‘Sunday best’ in photographs, and the need – in the first fifty years of photography – for photographic studios to issue instructions on what to wear, to achieve the best contrast and detail in black and white.
Genealogy research: Dating vintage photographs by clothing & hairstyles
The photograph shown here is an example of a crowd scene at the turn of the 20th century. It’s a wonderful picture and I am showing it here to enable you readers to see how to analyse your own picture. My technique of using the costume as the main point of reference, may help you to date your own picture to within 5 years. In this example I believe that I have dated this photograph to within one year. To do this can be something of a tall order, because a photograph such as this might take several days of thinking time.
Then after I have mulled over it, several hours of actual close study of the detail. This picture of old Hebburn was kindly sent to me by Norman Dunn who has a website of old photographs he has been collecting for many years. All pictures enlarge on this page and this picture is superb when enlarged. I’ve been studying this photograph now for some hours, because it really does interest me in getting the date right.
Even at first glance, it is clear that this picture is a superb representation of Edwardian middle class folk, with some working class folk; the key point is that all the people are dressed in the fashions of the day. The scene suggests they are either waiting for someone special to visit, such as the King or Queen, alternatively, that they are awaiting with serious intent for bad news of some accident, such as a mining or factory disaster. Another possibility is that they are awaiting transport to take them on a trip for the day.
If the year was slightly later I might think they were seeing men off to war. Another point to be aware of is that at least some of the crowd may old fashioned, and behind the times in their dress. I’d say the photograph was taken in Spring as they all wear coats, but also fashionable Spring-like hats, which could be Easter Bonnets for Mothering Sunday. When dating a costume picture by dress, I always seek out the most fashionable details, which are generally found on the younger women.
These details refer not only to the garments themselves, but also the hairstyle, particularly hair partings and whether the hair fringes or sweeps up. Another source of clues are the hats, examine their width, height and snugness of fit. This photograph has no hairstyles to concentrate on, but it does have wonderful hats by the dozen. The fashion hats are the main clue here, as no heads are visible in the adult women. These hats are wide enough to be circa , but could be as early as bearing in mind some of the clothes.
Even with magnification I cannot find one single woman without a hat or head covering. This picture is living proof that the era was still dominated by formality, even the ordinary people obey the rules of etiquette as you can see in the photography. That formality was swept away by the First World War when rigid rules of dress codes were broken down.
And this point helps us to date a photograph as the early part of the twentieth century. I’ve circled a copy of the original photograph as the detail is crisper and some circles will be used here to identify certain aspects of costume history details. Several factors amongst the images suggest that we should date the photograph after , up to the later dates of I don’t feel this photograph is later than , even in an unfashionable town. The boys with bicycles in the left hand side background are wearing Eton style school-uniform jackets, and collars often featured in books circa The puffed heads on garment sleeves are very subdued so that dates the picture later than Other than where specified, I am in all cases referring to female adult fashionable dress.
I can eliminate as a possible date as there simply is not enough fullness in the sleeves of any of these adult garments, moreover, the children’s dress supports this view. I believe it is after and the factor that suggests this most is the rounded domes of the hats. You can see what I mean by looking at the many instances of hats, as in circles 6, 8 and Click thumbnail for a full enlargement.
These detailed circled sections are beside the explanatory text. Let’s look at the picture starting with circle 1. Elements of the coat could suggest it to be circa The sleeves with soft fullness at the head and the fitted silhouette suggest late Victorian styling. But the hat is too big for that date. Hats tight and neater, with less width, were dominant in the late s. Reference circle 1 left, is probably one of the best sections to use for generally dating the picture.
The picture below for reference 1 enlarges fully. The coat is typically Edwardian, and because a waist is in evidence, I think it is before After that date waistlines were much higher following Directoire styles, and under-the-bust empire lines, but of course when women buy a coat they even now expect 2 or 3 years wear from it. In those days they may have hoped for even longer wear. The silhouette back of the coat in circle 9 shown right, is very straight indicating no swing-back sway, which was created by the S-bend style of Reference circle 5 above centre shows a typical tailor made suit circa The necklines and tailoring of refernce circles 1, 3, 4, 6, and 11 could all be as late as Hats in reference circles 2 and 10 right show veiling which may be mourning veiling or motoring veiling.
The fashion designer Lucile had designed the original widow hat for an operetta in , but it influenced hat fashions for 3 more years. It was always black and encased in filmy chiffon or organdie and festooned in feathers. The children wearing straw hats in circle 13 are wearing early forms of straw cloche hats.
They are not as close fitting as the later cloches, but they show early signs of the fashion. The cloche hat was not confined to the s as is often first thought. It was fashionable from to was one of the most extreme forms of millinery ever, with an appearance that resembled a helmet. Cloches existed in many forms including one with a beret like top. By hats became much smaller, although large wide picture hats were still worn for dressy functions.
I think that there are too many garments with slightly puffed head sleeves for this to be as late as By all fullness in sleeve heads was well gone. The black hat in circle 14 is probably the most up to date hat in the picture. There are dozens of hats there, but that hat speaks volumes in terms of style and only she wears a hat like that. We will date the photograph by that hat and I think it is The hat she wears is an early form of the toque. So I will date the picture at I suppose bearing in mind your comment at the time of the war there is not much between and , but there are substantial fashion changes between and that eliminate those dates, now often known as the Titanic era.
This picture leans more toward full late Edwardian styling than Titanic era styling. I’m inserting some of my hat drawing pictures. You can see how the last picture has elements like the black hat in the street scene and how the others have similar features. The lady in the picture wears a hat which is combination of all these I’ve drawn. It really is a wonderful picture of children in dress. However, the problem with the children’s clothing is that it was often handed down.
In the main it’s typical Edwardian era clothing for children. I think they are very smartly dressed for a crowd scene and would really like to know more about the picture. He has since told me that Hebburn is about 5 miles from the North Sea, and stands on the south bank of the river Tyne 6 miles from Newcastle upon Tyne, making the people there ‘Geordies’. The photo was taken in his hometown of Hebburn and is on card the same thickness of a Postcard.
Norman was told it was possibly an outing on Easter Sunday. He doesn’t know anymore than that even though he has tried hard to find out more information. I did notice that one of the women in the photo centre has a selection of small badges on her coat lapels, typical symbols worn by members of church based organizations such as Band of Hope Temperance Society, or the Mother’s Union sections. A closer look at the photograph also reveals that standing at the far left hand side is a man ina clerical collar, possibly the Church Minister.
Clerical Figure shown right. Sir Humphrey Davey who invented the miners Safety Lamp went to Hebburn in and with gas from the ‘B’ pit he tested his lamp. All three pits were closed by the early ‘s. The Kelly’s Commander was Lord Louis Mountbatten and every Armistice day he came to Hebburn to take part in the march up to the Kelly grave in our cemetery. Lots of Kelly men are buried in a mass grave after it was torpedoed in the North sea.
Many Irish and Scottish folk flooded into the town looking for work. Before that there were Tin Miners from Cornwall going there for work. Some Welsh teachers went there to work in the Schools, so the Geordies really are a mixture. In the photograph the building on the right with all the windows is still there today. It was called ‘The County Hotel’ in those days and probably where Mountbatten stayed on his visits. Just behind it is St Aloysius Church. It and the Priests house in front of it were extended after WW1 so are still there, but looking different.
No one can remember the properties to the left with fence leading up to it, but an Aluminium manufacturer had that land then The Bauxite Company. You can visit Norman’s site showing hundreds of old photographs of the region and its people here at www. If anyone reading this knows more about the picture analysed here please write to me or Norman. For those interested in more about Hebburn, Norman has suggested they check out the site he uses called www.
One thing I do know is that as I examined this photograph I felt a connection to real people behaving in much the same way we might whilst waiting for an event that happened almost years ago. I felt I would have liked to have known the lady with the most fashionable black hat. I just know we would have had much to chat about.
The form of the skirt again changed dramatically in the s, with new arrangements of folds, drapes, and pleats, and a reappearance of the bustle. Both skirts and bodices continued to receive a lot of trim and frill, and the styles remained quite exuberant. At the same time, clothes were designed for women to wear in the workplace and to accommodate an increasing interest in outdoor activities for women.
A number of new women’s styles made their way into the fashion world during the s. The decade was particularly marked by a change in the shape of women’s skirts, both in the use of gored skirt and in the addition of the oval hoop.
TBH Fashion Selections. Bartos Collection Home Sharlot Hall Museum
The Barrington House
Here are several sites that can help you put your aunts, uncles, cousins and grandparents on the right branches of your family tree. Here are some places where you can pick up a few style cues to help you ID your own vintage family photographs! Broken down by decade: Wikipedia The collaborative encyclopedia Wikipedia provides a nicely detailed collection of articles about the many eras of clothing fashion. Here are direct links to the sections dedicated to the time since photography was possible:
The photograph shown here is an example of a crowd scene at the turn of the 20th century. It’s a wonderful picture and I am showing it here to enable you readers to see how to analyse your own picture. My technique of using the costume as the main point of reference, may help you to date your own picture to within 5 years. In this example I believe that I have dated this photograph to within one year. To do this can be something of a tall order, because a photograph such as this might take several days of thinking time. Then after I have mulled over it, several hours of actual close study of the detail. This picture of old Hebburn was kindly sent to me by Norman Dunn who has a website of old photographs he has been collecting for many years. All pictures enlarge on this page and this picture is superb when enlarged. I’ve been studying this photograph now for some hours, because it really does interest me in getting the date right. Even at first glance, it is clear that this picture is a superb representation of Edwardian middle class folk, with some working class folk; the key point is that all the people are dressed in the fashions of the day.
Evening dresses were often off the shoulder. Hair was parted in the centre with ringlets at the side of the head, or styled with loops around the ears and pulled into a bun at the back of the head.
Welcome to the fifth in our series of blogs about how to understand and interpret your old family photos. In this series, Jayne Shrimpton, internationally recognised dress historian, portrait specialist, photo detective and regular contributor to Family Tree, Your Family History and Family History Monthly magazines, dates and analyses different types of photographs and helps you to add context to your old family pictures. Having learned in the previous blog how photograph compositions and studio settings changed over the years, we now look closely at what our forebears are wearing in old photographs.
Victoria and Albert Museum
This photograph dates to c. Like most old family photos that have been passed down the generations, it is not dated or identified. Rounded corners began to supersede square corners from the later s but became more common from the s. Several pale-bright shades became fashionable from the lates onwards, also including sugar pink and turquoise. Wider photographic evidence drawn from firmly-dated examples demonstrates that this golden-yellow tone was most fashionable during the s and s, virtually obsolete by However, firm operational dates remain elusive. The busy appearance of this mount, featuring several different font styles, a ribbon banner and heraldic device together suggest a time frame of s or turn of the s. Generally this type of pose and setting is characteristic of the s, but in this instance the composition presents a red-herring. Clients could to a degree choose their pose when being photographed and sometimes — presumably if they were particularly pleased with their appearance — they might favour the traditional full-length composition, to set their attire off to best advantage. The lady is clearly elderly and her figure is diminished, but she had the means to dress well and wears a handsome daytime outfit typical of c.
– Если бы Танкадо подозревал некий подвох, он инстинктивно стал бы искать глазами убийцу. Как вы можете убедиться, этого не произошло. На экране Танкадо рухнул на колени, по-прежнему прижимая руку к груди и так ни разу и не подняв глаз. Он был совсем один и умирал естественной смертью. – Странно, – удивленно заметил Смит. – Обычно травматическая капсула не убивает так. Иногда даже, если жертва внушительной комплекции, она не убивает вовсе.
Dating victorian clothing
Речь идет о нашей поездке. Нам придется ее отложить. – Что-о? – Сьюзан окончательно проснулась. – Прости. Я срочно уезжаю.
Еще через четыре месяца Энсей Танкадо приступил к работе в Отделении криптографии Агентства национальной безопасности США. Несмотря на солидный заработок, Танкадо ездил на службу на стареньком мопеде и обедал в одиночестве за своим рабочим столом, вместо того чтобы вместе с сослуживцами поглощать котлеты из телятины и луковый суп с картофелем – фирменные блюда местной столовой. Энсей пользовался всеобщим уважением, работал творчески, с блеском, что дано немногим.
Он был добрым и честным, выдержанным и безукоризненным в общении. Самым главным для него была моральная чистота. Именно по этой причине увольнение из АН Б и последующая депортация стали для него таким шоком.
Пять секунд. Шесть секунд. – Утечка информации. – Никаких изменений. Внезапно Мидж судорожно указала на экран. – Смотрите.
Это. – Si. Беккер попросил дать ему картонную коробку, и лейтенант отправился за. Был субботний вечер, и севильский морг не работал. Молодой лейтенант пустил туда Беккера по распоряжению севильской гвардии – похоже, у этого приезжего американца имелись влиятельные друзья.